
Manifesto
Latin American Modernism is an initiative that seeks to recover the intellectual, visual, and material forms of the emancipatory projects that emerged from the region during the Development Era and during its historical precedents in the early decades of the 20th century. Against the slow cancellation of the future that marks the current historical moment, we seek to open the archives of the popular imaginations that followed the Jacobin path of the Haitian Revolution and achieved their most advanced manifestation in national programs for endogenous industrialization, agrarian reforms, the expansion of popular education, as well as in the struggles over the seizure, expansion, and democratization of state institutions.
“Humanity is a verb that is not only conjugated in the past tense, but essentially in the future tense.”
— Olga Poblete
In Latin America, the concept of modernism has traditionally been employed to designate a group of Spanish-American literary avant-gardes whose contributions began in the late 19th century. However, and based on the recovery of various artifacts and experiences that took place between the Mexican Revolution of 1910 and the triumph of the Nicaraguan Revolution in 1979, this initiative aims to broaden the scope of this concept, placing the region within the framework of a global history of popular modernism. Unlike the Western version of high modernism, Latin American modernism derived its vital force from the mixture of cultures, diasporas, creolization, and mestizaje; a global and local syncretism of the labor, peasant, feminist, and indigenous movements. Reclaiming the powerful, disruptive force of Latin American Modernism thereby begins with recognizing that it was not just a singular modernism, nor that it was exclusively elitist, masculine, heterosexual, or Eurocentric.
“Only anthropophagy unites us. Socially. Economically. Philosophically.”
— Manifiesto Antropófago
Far from a nostalgic gesture, our objective is to restore the lost futures of projects that were eminently heterogeneous, insurgent, and internationalist. Traces of an anthropophagic modernism that did not seek to preserve any purity or to return to an imagined past, but that embodied the historical drive of movements seeking to expand and radicalize the unfulfilled promise of the Enlightenment project, tracing an emancipatory horizon from the concrete reality of the peoples of the periphery. Land and freedom [Tierra y libertad], the slogan immortalized by the Mexican Revolution in 1910, powerfully symbolizes the spirit of the times.
During this period, the region became a melting pot of efforts to revolutionize artistic, technological, scientific, and economic forms. Technical reproducibility gave way to a profuse field of film, graphic, and editorial production sustained both by formal experimentation and by the aspiration to democratize access and popular self-representation in media forms. New architectural trends responded to the most pressing needs of the working class, but also allowed for the design of mass infrastructures geared toward leisure and enjoyment, leading to the expansion of subjective experience and public spaces for collective enjoyment. Thus, the history of modernism is also a sensuous history that extended beyond steel and concrete; among the plans for brutalist buildings, parks, and social housing, it was also able to dream the materiality of a better life.
The expansion of productive-industrial capacity in national economies during the developmentalist era, in turn, brought with it various visions of political modernity that challenged neocolonial dependence and the political institutions of oligarchic republics. These visions became powerfully manifested in historical events such as the Cuban Revolution, the Popular Unity in Chile, and the internationalism of the Tricontinental Conference and the OSPAAAL (Organization of Solidarity with the Peoples of Africa, Asia, and Latin America). Moreover, the military coup in Brazil in 1964 ushered in a new cycle of authoritarian and counterrevolutionary governments in South America that led to novel modalities of anti-fascist struggle structured on the basis of the defense of political freedom and human dignity. Meanwhile, a new wave of national liberation struggles and internationalist solidarity movements reached its pinnacle in Central America with the triumph of the Sandinista revolution in 1979 and the Sixth Conference of the Non-Aligned Movement.
“Everything human is ours”.
— José Carlos Mariátegui
The collection that we make available to the public brings together processes of national and sexual liberation, nationalizations and land distribution, public enjoyment and expropriations, socialist, feminist, and anti-colonial projects, avant-garde experimentation, and mass culture. Currently, the rise of a global authoritarian turn, the return of imperialist wars, and a climate emergency that imperils the very possibility of human life on Earth demand a collective pursuit for horizons of radical transformation and modes of socio-political organization that can put human life and planetary ecological balance at the center.
Through an open digital platform, and in dialogue with an international and internationalist research network, this initiative aims to challenge the pervasive forms of capitalist realism that abound in our current historical epoch, opening up spaces for encounter, debate, and for the collective discovery of archival materials and insights. Despite having been eclipsed by military violence and by institutionalized oblivion, the spectral presence of Latin American modernism still lingers in those of us who believe that an alternative, pluralistic, ecological, and beautiful modernity for the vast majority is not only possible but necessary and urgent.